Attractor of Small Red Objects has assumed an increasingly significant role in the contemporary art landscape. Its emergence amidst the restrictive climate of the global pandemic was not merely coincidental; rather, it was a testament to the resilience and adaptability of art. By bridging the gap between physical and virtual realms, this project demonstrates the transformative power of art in bringing solace, inspiration, and connection during times of isolation and uncertainty.
One cannot underestimate the profound impact of Attractor of Small Red Objects ability to transcend traditional exhibition spaces. While art galleries and museums have long served as gatekeepers of artistic expression, Attractor of Small Red Objects boldly defies these confines, infiltrating private spaces and fostering intimate encounters with art. By inhabiting the homes of its custodians, it establishes an unprecedented level of closeness, blurring the boundaries between creator, viewer, and artwork. This intimate engagement encourages a heightened sense of ownership and responsibility among participants, who become not only spectators but active contributors to the project's unfolding narrative.
Hamilton, Ontario, Canada
Sara Elizabeth and Alejandro Franco
Attractor of Small Red Objects challenges the prevailing culture of commodification that permeates the art world. By consciously evading permanent ownership and instead favoring temporary custodianship, it prompts a reevaluation of our relationship with art objects. It urges us to detach value from material possession and recognize the inherent worth of experiences and interactions. In doing so, it fosters a sense of collective ownership, where the Attractor becomes a shared entity, weaving its way through the lives of countless individuals, artists, and art enthusiasts.
As the world gradually emerges from the grip of the pandemic, the continued circulation of Attractor of Small Red Objects takes on renewed significance. It represents a symbol of resilience, adaptability, and the enduring power of human creativity. Its ability to transcend geographical boundaries and connect individuals across different cultures and continents is an embodiment of the unifying potential of art. In a time characterized by divisions and isolation, the Attractor serves as a beacon of hope, reminding us of our shared humanity and the capacity for artistic expression to bridge gaps and foster understanding.
Toronto, Ontario, Canada
Attractor of Small Red Objects sustained circulation, fosters a sense of anticipation and excitement as the projects dynamic journey sparks curiosity and dialogue, igniting conversations around the nature of art, ownership, and the role of the audience. As individuals eagerly await their turn to host this project, its reputation and significance grow, establishing it as a symbol of artistic collaboration and connection.
Looking ahead, Attractor of Small Red Objects holds the potential to further evolve and adapt to changing circumstances. Its independent existence, as evidenced by its continued circulation even in the absence of its initiator, exemplifies the project's capacity for self-sustenance. The vision of a fully autonomous journey, as this project navigates the art world without external intervention, becomes an aspiration that drives innovation and creativity. It challenges the established systems of art distribution and paves the way for alternative modes of engagement and participation.
St. John’s, Newfoundland, Canada
Daniel James Hill
Wilton, Connecticut, USA
Attractor of Small Red Objects has an ability to bridge physical and virtual spaces, challenge notions of ownership, and foster connectivity among diverse individuals. As the world grapples with the aftermath of the global pandemic, this project stands as a testament to the resilience of art and its potential to unite, inspire, and transform. Attractor of Small Red Objects continued circulation and evolving journey signify an ongoing dialogue around the transformative power of art and its ability to shape our collective consciousness. Please email us for detail on how to participate!
Greenville, South Carolina, USA
October- November, 2022
Martin La Roche